Latest Movies

An unassuming babysitter takes a job she’s not ready for.

“The title itself contains a Buddhist-like koan. Fascinating how breaking ‘apart’ the word brings us into coherence as ‘a part’ of nature. A linguistic mystery visualized, eyes wide open. This must be the footage from the Amazon(?) you mentioned some months ago that you recalibrated to provide a POV experience of merging with the rowboat paddling through the jungle grasses, bringing us into kinship with the riverway. I loved seeing the wildlife cam footage of the bear and the mountain lion…your stewardship of the land merging with the travel footage. And the fire sequence resembled a flaming flower!” — KATHLEEN SWEENEY, Eco-Artivist

A dialogue with a fish about mortality, aging, restoration and happiness.

A field recordist in the hills, accompanied by a cat. Autumnal shifts from green to brown lay ground for swarming insects.

In the video, we see an African man breaking eggs with a knife, one after another, in a repetitive, obsessive, and monomaniacal act. He repeatedly says out loud, 'An egg, the white is gone but the yellow remains.' The video clearly shows the impossible reconciliation between the colonizer and the colonized. Inside an egg, the white and the yellow coexist harmoniously and naturally, even though they don't have the same texture, color, shape, or smell. But when there is a fracture, a break, or a rupture between them, each follows its own nature. The egg is a prison; it is the symbol of both creativity and fertility, hope and a promise of life, a new birth, and regeneration. With the broken egg, horror takes over. It's the paradox of the egg: on one side, there are broken shells, a shattered life, and on the other, the hope of a return to life and rebirth.

In the 17th century, Rembrandt was one of the most famous Dutch painters of the Golden Period. After 400 years, man has evolved, seemingly reversing his relationship with nature, purporting to be the master, exploiting nature for his own gain. Nature however, has not resigned its mantle. Climate change threatens to upend man’s progress. Weather extremes and rising seas demonstrate that nature truly has the upper hand. The video, with its painterly essence, is also a tribute to the master painter

The extraordinary life journey of my great-grandparents, both 93 years old, born in the village of Angeiras (Lavra).

A year that changed Emmy's life...a year abroad.

A poetic documentary viewing the shared experience amongst people who have experienced loss.

Two sisters decided to make a short feature film about horses. At least that was the plan.

Is there a time in our lives that we give praise to the women that came before us? In the unfolding, we learn how important it is to follow our artistry and talent. “Her Flower Bows” isn’t only an inspiring talk of a single mom, but the entire line of female ancestors from the past, talking to us through the vivid hallucinations of daily life.

The Waste Commons reveals the intricate lifeworlds and recycling networks built by waste pickers since 1968 at Dakar’s dump, Mbeubeuss. Adja and Zidane, two waste pickers who are emerging as leaders contesting the erasure of their community, guide us through the dump’s material, social, and spiritual worlds. (Information taken from https://www.thewastecommons.com/)

Discussing their current romantic partner with their mother, a daughter receives an unforeseen reaction to her prospects.

Deep in the primordial waters of Earth’s history, a creature is born with a will to dominate all, but Mother Nature has other plans. ECO: A FEMINIST DISASTER is an ongoing series of films composted from a subgenre of eco-horror films produced between 1970-1981 serving as a critique of environmental media, a speculative film history, and a personal diary.

A girl living in a village sees the same dream. Gradually, the boundaries of reality begin to blur.

An image of me at twenty-two, lying with open eyes beneath flickering lawn lights — quiet, alone.

A documentary about the inhabitants of the village Svetlana. They grow vegetables together, milk cows, dance, paint and eat together. People call them “handicapped,” but they are the ones who open our broken souls to the path to divine humanity and freedom.

An elderly man, Makar, overcomes loneliness and joins a hip-hop dance group. With the support of his teacher, Anna, he becomes part of the team. While preparing for the competition, Makar faces the prejudices of the modern generation.

As a frustrated artist struggles to finish his masterpiece, one of his unfinished works emit a sinister presence.