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Sanford Urethra visits Dr. Zabar.

Views of the sky during and after the Santa Ana winds: 30 seconds at each hour of the day, each hour captured on 24 different days.

A young jazz musician arrives in New York City with nothing but a dream and his dad’s advice: “Soak up all the knowledge you can! Be a sponge!”

Raquel, a recently unemployed young woman, accepts a job as a waitress arranged by a colleague to work at a high-class private party. At the event, Raquel faces numerous situations that highlight the class differences between her and the guests, ranging from rude remarks to inappropriate behavior from attendees. As these actions intensify, Raquel's night takes unexpected turns amidst absurdist and allegorical chaos.

Two unique perspectives on the city of Liverpool come from interviews with the director's parents.

Students flooded Columbia University’s lawn to create the Gaza Solidarity Encampment in order to pressure their university to divest from the US and Israeli weapons companies. THE ENCAMPMENTS follows the central organizers of the encampment as they are thrust into the spotlight, face violent police repression and suspension, congressional pressure, and a media firestorm, all while fighting to attain their goal of divestment at any cost.

What begins as a simple reunion between old school friends escalates into a series of "Ciao Ciao" moments that unravel secrets, ignite new relationships, and trigger irreversible events.

Breaking 10 chronicles the pursuit of athletic excellence and personal growth as it follows amateur triathlete Justin Hibbert in his attempt to complete a full Ironman in under 10 hours, an accomplishment tried by many and achieved by few.

A reflection on the relationship between science, politics and the media. And on how we as humans tend to look for scapegoats and screaming narratives.

A world full of Image Makers erodes the objective power of the kino eye. If everyone can capture a moment on video, one angle implies the existence of infinite possible perspectives. This convergence of distinct representations distills any given moment to an impression, a painting, a memory.

Every year, a family home is turned into a haunted house. The purpose is not only to be as terrifying as possible, but also to create a spectacular attraction to draw the neighbors in. The situation grows increasingly complicated, broken and distressed as the family’s problems intercede in their plans and as their real lives become the film’s true and overriding scary haunt.

Deep in the lush mountains of Hunan province, Youbin lives with his father and two grandparents. He is 8 years old and he is a poet. The family is poor and lives on what they can grow. But at the village school, the children are taught Chinese poetry, and Youbin discovers the magical power of language to describe one’s feelings and place in the world.

An EMT confronts human trafficking at her home.

In a shoebox flat on the seventeenth floor of a tower block, Reuben prepares a birthday party for his partner Harry. However, when Reuben starts hearing violent noises from the couple living next door, his morbid curiosity takes over. Harry deeply loves his boyfriend Reuben, but after being humiliated by a failed birthday party, many drinks consumed, shows us that none of us truly knows what we are capable of. For Reuben he comes to realise that violence isn’t always on the outside, sometimes it’s with us all along.

Jens Stoltenberg had planned to step down after nine years in the powerful position of NATO Secretary General. The 65-year-old politician had packed his bags to go home to his wife in Norway, as he had promised her. But then Joe Biden called and asked him to stay another year. Because in a troubled world, an experienced leader is needed more than ever. With unprecedented access, we follow Jens Stoltenberg through his last year as Secretary General of NATO.

Two lonely people cross paths while working in a coffee shop. Even with opposite personalities, they both want to move forward with the business which they use as a conduit to heal their wounds, even though they know nothing about coffee.

Appalachia, 1946: a seamstress welcomes home her tailor husband to find they are not the team they were. Trying to stitch their old life back together, time and again it threatens to fall apart - with each of them pulling at the thread.