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    Heritage

    Heritage

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    Each morning, Fariba, an Iranian woman in her sixties, applies her makeup, says goodbye to her husband, and walks to her parents’ house to help them with their daily activities.

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    Just Like the Good Ol' Days*

    Just Like the Good Ol' Days*

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    Aspiring director Jax Mercier's debut short film follows a reunion of old high school friends that takes a turn for the worst after one of them seeks retribution for past transgressions of the other men.

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    I Was Once A God

    I Was Once A God

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    Fully shot in Infrared. Plot under wraps

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    Tous les jeunes s'appellent Marvin

    Tous les jeunes s'appellent Marvin

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    Boys Night

    Boys Night

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    Buckle up, baby, cause tonight ain’t just any normal night. It’s Boys Night. It’s the last night for the Boys to hang out before high school is over. And if you think these are just any old boys, you’d be wrong, since these boys are actually BAD boys. And they don’t give a damn, a shit, or even a fuck about the rules, since it’s BOYS NIGHT. BOYS NIGHT.

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    TSUGUNAI

    TSUGUNAI

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    Experimental short movie mostly made of still photos. An old assassin lives on a yacht, in a port city. One day, the sister of a woman he killed appears.

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    The Sleepwalking Continent

    The Sleepwalking Continent

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    A short film by Jules Vésigot-Wahl

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    A Doll Made Up of Clay

    A Doll Made Up of Clay

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    Driven by ambition, a young Nigerian athlete sells his father’s land to pursue his dream of becoming a professional footballer in India. However, a career-ending injury leaves him disillusioned and stranded in an unfamiliar country.

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    12 Moments Before the Flag-Raising Ceremony

    12 Moments Before the Flag-Raising Ceremony

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    In the capital city of Beijing, a middle school is about to hold a flag-raising ceremony. However, the flag raiser, Feng Xiao, is is struggling with a growing urge to step down. Unfortunately, this is not a gentle winter for him...…

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    Bimo

    Bimo

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    The new film of Oumnia Hanader.

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    Atávico

    Atávico

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    I’m Glad You’re Dead Now

    I’m Glad You’re Dead Now

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    At its heart, Ashraf Barhom moves through this film like a quiet storm—measured, devastating and unforgettable.

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    Pneuma

    Pneuma

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    In the shadow of the forest, a flash goes through the darkness making the matter vibrate. Air, water and earth tune in to a cycle that begins and ends without anyone noticing. Before, everything was white. Now, it's just a vestige, while time advances and everything transforms. Between the visible and the invisible, everything is on the verge of being born or fading. A murmur in the current. Under the surface of the sea, the sound dissolves, the fish slide like shadows between reflections. The night returns, the stars insist. The light filters between the branches, showing what the gaze does not reach. With each 16mm frame, Pneuma reveals the essence of what persists, inviting us to feel the presence of the invisible that surrounds us.

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    Kukuaren Kanta

    Kukuaren Kanta

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    Kukuaren Kanta quantifies the beauty of a tiny town in Navarre, which lives attentive to the rhythm of the seasons, on the sidelines of the urgency and waiting for the end of the world. The shooting of a community film serves as a pretext for the inhabitants of Lerga, the 'Cucos', to film themselves thinking about posterity. Songs to the Virgin of Ujué, rituals of faith, aerobic exercises in synchrony, work in the field and crafts or the preparation of a meal collaboratively are combined in the present but are projected towards the future, when the image will be footprint, memory of a life in common. Between resilience and invention, cinema builds senses of community and belonging.

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    La última frontera

    La última frontera

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    Das Geheimnis von Bern

    Das Geheimnis von Bern

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    Whether in rock, pop, rap or slam: the people of Bern have dominated the dialect music scene in German-speaking Switzerland for many years. Why does Bern rock Switzerland?

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    Language Decay

    Language Decay

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    A broken camera and three rolls of film, two daylight and one tungsten, capture days with Eva. The version of the woman on celluloid is more foreign to her than to me, and the version of herself speaking these languages is more foreign to me than to her, but both are not fully in our grasp and slip away and decay. They do not belong to either of us but to time—much like how languages are imperfect and adapt to the needs of those who speak them. Time causes disintegration, wherein different variations and versions emerge. Because of physical separation, my grandmother slowly forgets her native tongue and the languages she spoke as a child, mirroring the movement and transformation of living languages. The act of remembering brings back these decomposing versions of past selves, selves that never were or briefly were, then hidden away but not discarded. The film intentionally chooses to leave all sequences unsubtitled.

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    Butterfly

    Butterfly

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    Fascination with movement, fixation of time, the mystery of life, the birth and dance of a butterfly… Through the history of mankind and film, these things never left us, they always bothered us and always will…

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    Dehumanized

    Dehumanized

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    Yus, a 29-year-old young man, made several attempts to escape his country by hiding under trucks. This microdocumentary tells the story of the repression and the punishments he received from the police.

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    Overmedicated

    Overmedicated

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    A young woman battles with the consequences of her psychiatrist prescribing her excess medication.

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